Arabia is an abbreviation. The original word even today
is Arbasthan. It originates in Arvasthan. As observed earlier
Sanskrit "V" changes into "B". Arva in Sanskrit means a horse.
Arvasthan signifies a land of horses, and as we all know Arabia
is famous for its horses.
In the 6th and 7th centuries A.D. a wave of effecting a
complete break with the past spread over West Asia. All links
with the past were broken, images smashed, scriptures des-
troyed, education discontinued and the entire West Asian
region took a plunge in abyssmal ignorance which lasted for
centuries thereafter and perhaps persists to a certain extent
even today because if in the whole world modern scientific and
educational developments find stubborn and entrenched resis-
tance anywhere it is in the West Asian countries. It is said
that the late Saudi Arabia ruler could not permit a radio
broadcasting station opened in his own capital because of
oposition from his Maulavis. He then resorted to a stratagem.
Once while he had his council of Maulavis in attendance he had
a radio set switched on to a program of Koranic recitation
broadcast from a small transmitting station set up earlier
without much ado. The Maulavis were delighted, so goes the
report, to hear the word of Allah coming to them as if from
nowhere. The king told them that what objections could they
have to a mechanism which broadcast the word of Allah. The
Maulavis agreed and the small radio broadcasting project was
at last ratified.
According to Encyclopaedia Britannica and Encyclø-
paedia Islamia the Arabs are ignorant of their own history of
the pre-Muslim era. By a strange euphemism they call it a
period of ignorance and darkness. Probably no other country
in the world has deliberately written off a 2,500 year period of
their own history by systematically stamping out and snapping
all links with the past. They have wiped the memories of pre-
Muslim era off their minds. So while they chose to remain
ignorant of their past ironically enough it is they who dub the
pre-Muslim era as a period of ignorance.
Fortunately we can still trace the history of that pre-
Islamic Arabia. It is a well known adage that there is no such
thing as foolproof destruction of all evidence. The pre-Islamic
history of Arabia is the story of Indian Kshatriyas over that
land, with the people following the Vedic way of life.
In our attempt to reconstruct the story of pre-Islamic
Arabia we begin with the name of the country itself. As
explained earlier the name is fully Sanskrit. Its central
pilgrim centre, Mecca is also a Sanskrit name. Makha in
Sanskrit signifies a sacrificial fire. Since Vedic fire worship
was prevalent all over West Asia in pre-Islamic days Makha
signifies the place which had an important shrine of fire
Coinciding with the annual pilgrimage of huge bazaar
used to spring up in Makha i.e. Mecca since times immemorial.
The annual pilgrimage of Muslims to Mecca is not at all an
innovation but a continuation of the ancient pilgrimage. This
fact is mentioned in encyclopedias.
Evidence is now available that the whole of Arabia was
part of the great Indian King Vikramaditya's vast empire. The
extent of Vikramaditya's empire is one of the main reasons for
his world wide fame. Incidentally this also explains many
intriguing features about Arabia. It could be that
Vikramaditya himself had this peninsula named Arvasthan if
he was the first Indian monarch to capture it and bring it
under his sway.
The second intriguing aspect is the existence of a
Shivalinga or the Mahadeva emblem in the Kaaba shrine in
Mecca. Before going into further details about the ancient
Vedic rituals and names still clinging to Muslim worship at
Mecca we shall see what evidence we have about Arabia
having formed part of Vikramaditya's dominions.
ANTHOLOGY OF ANCIENT ARABIC POETRY: SAYAR-UL-OKUL
In Istanbul in Turkey, there is a famous library called
Makteb-e-Sultania which is reputed to have the largest
collection of ancient West Asian literature. In the Arabic
Section of that library is an anthology of ancient Arabic
poetry. That anthology was compiled from an earlier work in
A.D. 1742 under the orders of the Turkish ruler Sultan Salim.
The 'pages' of that volume are made of HAREER - a kind
of silk used for writing on. Each page has a decorative gilded
border. It may be recalled that gilding pages of sacred books is
an ancient custom associated with old Sanskrit scriptures
found in Java and other places. The anthology itself is known
as SAYAR-UL-OKUL. It is divided into three parts, the first
part contains biographic details and the poetic compositions of
pre-Islamic Arabian poets. The second part embodies accounts
and verses of poets of the period beginning just after Prophet
Mohammad up to the end of Banee- Ummayya dynasty. The
third part deals with later poets up to the end of Khalifa
Harun-al-Rashid's times. Incidentally "Banee" means "Vanee"
and Ummayya as in Krishnayya are Sanskrit names.
Abu Amir Abdul Asamai, a distinguished Arabian bard
who was the Poet Laureate of Harun-al-Rashid's court has
compiled and edited the anthology.
The first modern edition of Sayar-ul-Okul anthology was
printed and published in Berlin in A.D. 1864. A subsequent
edition was published in Beirut in A.D. 1932. This work is
regarded as the most important and authoritative anthology of
ancient Arabic poetry. It throws considerable light on the
social life, customs, manners and entertainment forms in
ancient Arabia. The book also contains an elaborate descrip-
tion of the ancient Mecca shrine, the town and the annual fair
known as OKAJ which used to be held there every year. This
should convince readers that the annual Haj of the Muslims to
the Kaaba is only a continuation of the old fair and not a new
But the OKAJ fair was far from a carnival. It
provided a forum for the elite and learned to discuss the
social, religious, political, literary and other aspects of the
Vedic culture then pervading Arabia. Sayar-ul-Okul asserts
that the conclusions reached at those discussions were widely
respected througout Arabia. Mecca, therefore, followed the
Varanasi tradition of providing a seat for important discussions
among the learned while the masses congregated there for
spiritual bliss. The principal shrines at both Varanasi in India
and at Mecca in Arvasthan were Shiva temples. Even to this
day the central object of veneration at both Mecca and
Varanasi continues to be the ancient Mahadeva emblems. It is
the Shankara stone which Muslim pilgrims reverently touch
and kiss in the Kaaba.
ENTRY OF NON-MUSLIMS FORBIDDEN
A few miles away from Mecca is a big signboard which
forbids entry to any non-Muslim in the area. This is a
reminder of the days when the Shrine was stormed and
captured solely for the newly established faith of Islam. The
object obviously was to prevent its recaptue.
As the pilgrim proceeds towards Mecca he is asked to
shave his head and beard and to don a special sacred attire.
This consists of two seamless sheets of white cloth. One is to
be worn round the waist and the other over the shoulders.
Both these rites are remnants of the old Vedic practice of
entering Hindu shrines, clean shaven and with holy seamless
spotless white sheets.
The main shrine in Mecca which houses the Shiva emb-
lem is known as the Kaaba. It is clothed in a black shroud.
This custom could also originate from the days when it was
thought necessary to discourage its recapture. According to
encyclopaedias Britannica and Islamia the Kaaba had 360
images. Traditional accounts mention that one of the deities
among the 360 destroyed, when the shrine was stormed, was
that of Saturn, another was of the moon and yet another was
one called Allah. In India the practice of Navagraha puja that
is worship of the nine planets is still in vogue. Two of these
nine are the Saturn and the moon. Besides, the moon is always
associated with Lord Shankara. A Crescent is always painted
across the forehead of the Shiva emblem. Since the presiding
deity at the Kaaba shrine was Lord Shiva i.e. Shankara, the
crescent was also painted on it. It is that crescent which is
now adopted as a religious symbol of Islam. Another Hindu
tradition is that wherever there is a Shiva shrine the sacred
stream of Ganga that is the Ganges must also co-exist. True
to that tradition a sacred fount exists near the Kasba. Its
water is held sacred because it was regarded as but another
Ganga since pre-Islamic times. Muslim pilgrims visiting the
Kaaba shrine go around it seven times. In no other mosque
does this perambulation prevail. Hindus invariably perambu-
late around their shrines. This is yet another proof that the
Kaaba shrine is a pre-Islamic Shiva temple where the Hindu
practice of perambulation is still meticulously observed.
Allah is a Sanskrit word. In Sanskrit Allah, Akka and
Amba are synonyms. They signify a goddess or mother. The
term Allah appears in Sanskrit chants while invoking goddess
Durga i.e. Bhavani. The Islamic word Allah for God is
therefore not an innovation but the ancient Sanskrit appella-
tion retained and continued to be used by Islam.
The seven perambulations too are significant. At Hindu
wedding ceremonies the bride and bridegroom go round the
sacred fire seven times. the practice of seven perambultions
around the Kaaba shrine in Mecca is, therefore, a Hindu Vedic
custom. It is also a proof that Mecca was Makha or the shrine
of the sacred fire around which worshippers made seven
SAYAR-UL-OKUL tells us that a pan-Arabic poetic
symposium used to be held in Mecca at the annual Okaj fair in
pre-Islamic times. All leading poets used to participate in it.
Poems considered best were awarded prizes. The best poems
engraved on gold plate were hung inside the temple. Others
etched on camel or goat skin were hung outside. Thus for
thousands of years the Kaaba was the treasure house of the
best Arabian poetic thought. This tradition was of im-
memorial antiquity. But most of the poems got lost and
destroyed during the storming of the Kaaba by prophet Moham-
SAYAR-UL-OKUL is a poem by UMAR-BINE-HASSNAM
(Poetic Title: ABBUL-HIQAM meaning Father of Knowledge).
He was an uncle of prophet Mohammed. He refused to get
converted to Islam. He died a martyr at the hands of Muslim
fanatics who wanted to wipe out non-Muslims. This poem was
adjudged as the best in the annual fair at Kaaba.
QAFA VINAK ZIQRA MIN ULUMIN TAV
ASERU KALUBAN AYATTUL HAWA VA TAZAKKARU
A man who has spent all his life in sin and immorality and has
wasted away his life in passion and fury,
VA TAZAKEROHA AUDAN ELALVADAE LILVARA
VALUK YANK ZATULLA HE YOM TAB ASERU
If he repents in the end and wants to return to morality, is
there a way for his redemption?
VA AHLOLAHA AZAHU ARMIMAN MAHADEV O
MANAZEL ILAMUDDINE MINJUM VA SAYATTARU
Even if only once he sincerely worships Mahadeva, he can
attain the highest position in the path of righteousness.
VA SAHABI KEYAM FEEM QAMIL HINDE YOMAN
VA YAQULOON LATAHAZAN FAINNAK TAVAJ3ARU
Oh Lord! Take away all my life and in return pray grant me
even a single day's stay in Hind (India) as a man becomes
spiritually free on reaching that holy land.
MAYASSAYARE AKHALAQAN HASNAN KULLAHUM
NAJUMUN AZAAT SUMM GABUL HINDU
By dint of a pilgrimage of Hind a man attains the merit of
noble deeds and gets the privilege of pious touch with ideal
NOW ABT THE BLACK STONE THE SHIVA LINGA
In 570 AD, the year of Muhammad's birth, Arabia was a thriving, rich and varied Vedic culture. Although monotheism in the forms of Christianity and Judaism were known to the people of Arvasthan, they were undeterred in their uncompromising faith to the religion of their ancestors: Hinduism . Every household had an idol of a Hindu god or goddess. There were hundreds of sacred groves, places of pilgrimage, and temples which were sanctuaries containing images of the entire range of Vedic gods. The temples in addition to being the religious focus of the Arabs, were also the cultural centres of learning. It was the temples that were the venues of literary and poetry competitions, of glorious festivals.
The virtues most highly prized by people of Arvasthan were bravery in battle, patience in misfortune, loyalty to one's tribe, and generosity to the needy and the poor. They proudly upheld the value of tolerance in matters of religious practice and belief. The respect they showed towards other people's religions was fully in keeping with their Vedic spiritual tradition.
The status of women was that of pride and equal respect. How could it be otherwise with a people whose chief deity was the goddess Durga (Alla). Women married men of their choice and were financially independent. They were entrepeneurs, artisans, poets and even warriors! Later on Muhammad would marry Khadija, who was not only a wealthy merchant but also in the position to choose her own husband. This clearly demonstrates the level of freedom women enjoyed in Vedic Arabia. Hind, who was the wife of Muhammad's chief enemy Abu Sufyan, herself participated in the battlefield.
Hind opposed Muhammad tooth and nail. She followed her husband to the battlefield and when Abu Sufyan surrendered Mecca to Muhammad without a fight she caught hold of him in the marketplace and cried:
"KILL this fat greasy bladder of lard! What a rotten protector of the people"
When Muhammad tried to baptise her & asked her not to commit adultery , She spat out the bitter words:
"A free woman does not commit adultery!"
How proud this woman was of the rights and privileges that her Vedic society had invested to her!
It was Islam that extinguished the light of knowledge in Vedic Arabia. It is ironic that the man who brought about such darkness himself belonged to the Qurayshi Tribe of Mecca. The Qurayshi were particularly devoted to Allah (Durga) and the famous Shivling of the Kaaba Temple. The fact that the Shivling remains to this day in the Kaaba is solely due to the fact that it happened to be the Qurayshi tribe's faceless Family Deity. As I mentioned before Muhammad's name itself came from Mahadeva, which is another cognate for Lord Shiva. Muhammad's own uncle, Umar-Bin-E-Hassham was a staunch Hindu and fervent devotee of Lord Shiva. He was a renowned poet and wrote many verses in praise of Shiva. One of these has survived on page 235 of Sair-Ul-Okul and reads as follows:
Kafavomal fikra min ulumin Tab asayru
Kaluwan amataul Hawa was Tajakhru
We Tajakhayroba udan Kalalwade-E Liboawa
Walukayanay jatally, hay Yauma Tab asayru
Wa Abalolha ajabu armeeman MAHADEVA
Manojail ilamuddin minhum wa sayattaru
Wa Sahabi Kay-yam feema-Kamil MINDAY Yauman
Wa Yakulum no latabahan foeennak Tawjjaru
Massayaray akhalakan hasanan Kullahum
Najumum aja- at Summa gabul HINDU
which translates as:
The man who may spend his life in sin
and irreligion or waste it in lechery and wrath
If at least he relent and return to
righteousness can he be saved?
If but once he worship Mahadeva with a pure
heart, he will attain the ultimate in spirituality.
Oh Lord Shiva exchange my entire life for but
a day's sojourn in India where one attains salvation.
But one pilgrimage there secures for one all
merit and company of the truly great.
Muhammad's uncle was one of the resident priests of the Shiv temple known as "Kaaba". This sacred sanctum was decorated in an extremely rich and beautiful fashion. The Kaaba was astronomically oriented to face the winds. The minor axis of the rectangular base of the Kaaba was solistically aligned towards summer sunrise and winter sunset. It contained 360 statues of Vedic deities and was a shrine primarily associated with sun worship. The temple was an architectural representation of an interlocking set of theories covering virtually all creation and comprehending chemistry, physics, cosmology, meteorology and medicine. Each wall or corner of the Kaaba was associated with a specific region of the world. Thus this glorious Hindu temple was made to symbolically represent a microcosm of the universe. The Arabs would face east when praying. This representation of a microcosm demonstrated by the eight directional structure was derived from the Tantric pattern (Refer to Figure 1) of Hinduism. Right at the centre of the Kaaba was the octogonal pedestal of Bramha the creator. Today this very pedestal is called Maqam-E-Ibrahim by the Muslims.
A tantric pattern which defines the structure of Kaaba
However, more significant was the fact that the Kaaba was an extremely rich and ornate temple. On its walls hung innumerable gold plaques commemorating the winners of the annual poetry competition known as the Okaj fair. There were gold, silver and precious gems everywhere. It is no wonder that Muhammad armed with his facade of a new brand of religion set out to capture the immense wealth of the Vedic shrine of Mecca. After plundering the riches of the Kaaba, the wealth enabled him to systematically destroy all traces of the religion that threatened him so directly. It is an indisputable fact that money will make any low criminal devoutly religious in a hurry.
Despite the fact that Muhammad had to destroy all traces of Hinduism in order to make his "new religion" work, he knew that in order to fool people convincingly he would have to borrow from the Vedic culture that surrounded him. Being illiterate he picked out rituals and symbols that he didn't understand and distorted and falsified them for his own ends. Here is a list of these distortions:
1. Muhammad destroyed all 360 idols, but even he could not summon the courage to completely obliterate the Shivling in the Kaaba. He entered the temple and kissed the black stone. The Shivling was so sacred that the man who so detested idol- worship ended up kissing the largest idol in the Kaaba. Later his followers in a fit of piety broke the Shivling and then out of remorse repatched it together again. Today it lies broken at seven places and held together by a silver band studded with silver nails, bearing the name "Sangey Aswad" which came from the Sanskrit Ashwet meaning non-white or black stone.
2. He jumbled up the Sanskrit words Nama and Yaja (which meant "bowing and worshipping" respectively) into a combination word Namaz and used that to describe his prescribed method of prayer.
3. Because the Vedic custom was to pray facing the East, in his hatred for all things Hindu, he directed his followers to pray facing only the west.
4. The method of circling around a shrine seven times in a clockwise direction is an ancient Vedic custom. Muhammad with his lack of originality decided that the 7 ritual perambulations should be retained but again in his hatred of all things Vedic decided the direction of the perambulations should be anti-clockwise.
5. With his phobia of all things Vedic, Muhammad knew that the greatest reminder and threat to his forced brand of religion were the beautiful Vedic idols of Arabic temples. Thus he destroyed every idol he could find and made idol worship the greatest crime for a Muslim. Such a man could never have comprehended how an abstract concept can be conveyed through a symbolic representation in the form of an image. Thus he made all image representation a sin as well.
6. Vedic religion is known for its ancient oral tradition. It is well known that the Vedic culture emphasized oral debate and expression far more than the written word. In adition the oral recitation of Vedic scriptures was always done in a lyrical fashion, utilizing music and thus reaching a height of expression. In fear of this musical tradition Muhammad decided to forbid Music.
7. All Arabic copies of the Koran have the mysterious figure 786 imprinted on them . No Arabic scholar has been able to determine the choice of this particular number as divine. It is an established fact that Muhammad was illiterate therefore it is obvious that he would not be able to differentiate numbers from letters. This "magical" number is none other than the Vedic holy letter "OM" written in Sanskrit (Refer to figure 2). Anyone who knows Sanskrit can try reading the symbol for "OM" backwards in the Arabic way and magically the numbers 786 will appear! Muslims in their ignorance simply do not realise that this special number is nothing more than the holiest of Vedic symbols misread.
Read from right to left this figure
of OM represents the numbers 786
There are many such instances where the symbols and rituals of Vedic culture were completely distorted and falsified by Muhammad in his bid to "create" his brand new religion. However in his haste to deceive and because of his ignorance and illiteracy, thousands of Vedic symbols still remain. Although they have been distorted beyond imagination, they still remain as solemn reminders of Arabia's glorious Vedic past. They can never be supressed.
In fact the rise of Islam put a full stop to all the previous knowledge of Arabia. The imperialistic message of Islam diverted all energies into raiding, looting and destruction. The incentive to learn and preserve the Vedic wisdom that had thrived in Arabia for so many centuries, was wiped out by the brutal pressure of Islam. Making easy money through loot and massacre was far more appealing than upholding the tenets of ancient knowledge. Gone were the schools, teachers, libraries, poets, artists, philosophers and scholars that had littered the Vedic landscape of Arabia like stars. Everyone had to become a raider if not from choice then for the sake of surviving the absolute intolerance of dissenters, that Islam preached. Thus was the light of learning extinguished in Arabia. All that remained was the Koran, the Kalma and the murderous hatred of anything Non-Muslim.
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